Allí dice: "... una de las más reducidas del mundo".
No es cierto.
Resulta que yo abrí mi DAVIS MUSEUM en el 1 de enero de 2009, es decir, antes que la Smallery y que tiene un espacio más reducido todavía: 20 x 20 x 20 cm.
Me gustaría saber si vosotros podrían rectificar el artículo y informar a la gente que ya existía en España, un mini espacio dedicado a las artes visuales que se llama DAVIS MUSEUM y que ha sido inagurado el día 1 de enero de 2009,
¿Qué pasa con los proyectos artísticos que se hacen en España?
¿No tienen divulgación?
A los alemanes se les da divulgación..¿y a los espacios artísticos en España?
Os sugiero que hagan una entrevista sobre DAVIS MUSEUM y que conste que hay un espacio de arte en España “más reducido” que la Smallery y que ha sido inaugurado ocho meses antes.
Por favor, aguardo vuestra respuesta.
Aquí tenéis toda la información:
Davis Lisboa http://www.davislisboa.com
Davis Museum: http://www.davismuseum.com
Davis Museum in YouTube http://www.youtube.com/watch?v=RboVl7B_XnA
Davis Museum / Facebook: http://www.facebook.com/group.php?gid=42822041706&ref=mf
PS: Por cierto, os envío la exposición de DAVIS MUSEUM que se inaugura el día 13 de agosto en el LACDA, Los Angeles Center for Digital Arts http://www.lacda.com
LACDA - Los Angeles Center for Digital Art 107 West 5th Street, Los Angeles, CA, USA
Digital Art Expo International In Downtown Los Angeles
August 13 - 15, 2009 Opening Reception: Thursday August 13, 7-9pm
http://digitalart.la http://www.lacda.com
Is a Plexiglas box just a shape? "Is a Plexiglas box just a shape? Doesn't it become content when we introduce ashes in it?” Chen Zhen, 1990 In allusion to his work Le Poids/Le Vide, 1990
The Anthropophagic Davis Lisboa Museum of Contemporary Art in Barcelona is an 20 centimeter cube, a ballot box made of transparent Plexiglas. It is an object that contains processes in which it participates, dissolving its recipient nature in a game of proposals and counterproposals suggested by this element, the “ballot box.” Davis Museum Barcelona enjoys the neutrality of the ready made object and its qualitative leap beyond Dualism and Symbolism. It creates a new space, a museum with a collection and visitors, whose central component is the presence of nonstop action. Therefore Davis Museum acts as a new device for experimentation, a place where the visitor enters and donated works of art are exhibited, creating a game of feedback; a collective action that uses all available resources, physical and virtual. The exhibition of Davis Museum Barcelona at LACDA (Los Angeles Center for Digital Art) is an unprecedented opportunity to discover a collection of the works of fourteen international artists including María Cañas, Chen Ping, PSJM; a chance to experience up-close this process that adds a new dimension to the notion of format. A mini-museum that gobbles up past and contemporary proposals and begins a new movement by assuming these sources and absorbing them, escaping the tempting dialectic of art history by allowing the potential of a transparent ballot box let new intuitions be born.
Irene Pomar, Paris, July 2009
Digital Art.LA Participants Include:
UCR | California Museum of Photography · Laznia Centre for Contemporary Art (Danzig, Poland) · Davis Museum (Barcelona) · Downtown Film Festival - Los Angeles · Downtown Art Walk Los Angeles · Grammy Museum · Rowan Gallery · Julie Rico Gallery · Niche.LA Video Art · Deborah Martin Gallery · Phyllis Stein Gallery · Pharmaka Gallery · Todd Browning Gallery· El Nopal Press Gallery · Annex Gallery · Artillery Magazine · Coagula Art Journal · Citizen L.A. · AbsoluteArts.com · compactspace · Phyllis Stein Art · Edgar Varela Fine Arts · Rita Gonzalez, LACMA
Davis Museum's Artists:
Hadeel A. Dhaher, Debora Alana, Mauro Alberti, Phylis Alter, María Cañas, Alicia Cayuela, Malules Fernández, Simone Gad, Davis Lisboa, Colleen Mulligan, Gê Orthof, Chen Ping, PSJM and Alfonso Siracusa.
2 Kommentare:
Un amigo me envío un artículo que vosotros han publicado hoy en la red:
http://www.elpais.com/articulo/gente/Arte/metros/cuadrados/elpepugen/20090807elpepuage_6/Tes
Allí dice: "... una de las más reducidas del mundo".
No es cierto.
Resulta que yo abrí mi DAVIS MUSEUM en el 1 de enero de 2009, es decir, antes que la Smallery y que tiene un espacio más reducido todavía: 20 x 20 x 20 cm.
Me gustaría saber si vosotros podrían rectificar el artículo y informar a la gente que ya existía en España,
un mini espacio dedicado a las artes visuales que se llama DAVIS MUSEUM y que ha sido inagurado el día 1 de enero de 2009,
¿Qué pasa con los proyectos artísticos que se hacen en España?
¿No tienen divulgación?
A los alemanes se les da divulgación..¿y a los espacios artísticos en España?
Os sugiero que hagan una entrevista sobre DAVIS MUSEUM y que conste que hay un espacio de arte en España “más reducido” que la Smallery y que ha sido inaugurado ocho meses antes.
Por favor, aguardo vuestra respuesta.
Aquí tenéis toda la información:
Davis Lisboa
http://www.davislisboa.com
Davis Museum:
http://www.davismuseum.com
Davis Museum in YouTube
http://www.youtube.com/watch?v=RboVl7B_XnA
Davis Museum / Facebook:
http://www.facebook.com/group.php?gid=42822041706&ref=mf
PS: Por cierto, os envío la exposición de DAVIS MUSEUM que se inaugura el día 13 de agosto en el LACDA,
Los Angeles Center for Digital Arts
http://www.lacda.com
DAVIS MUSEUM AT LACDA, USA.
LACDA - Los Angeles Center for Digital Art
107 West 5th Street, Los Angeles, CA, USA
Digital Art Expo International In Downtown Los Angeles
August 13 - 15, 2009
Opening Reception: Thursday August 13, 7-9pm
http://digitalart.la
http://www.lacda.com
Is a Plexiglas box just a shape?
"Is a Plexiglas box just a shape?
Doesn't it become content when we introduce ashes in it?”
Chen Zhen, 1990
In allusion to his work Le Poids/Le Vide, 1990
The Anthropophagic Davis Lisboa Museum of Contemporary Art in Barcelona is an 20 centimeter cube, a ballot box made of transparent Plexiglas. It is an object that contains processes in which it participates, dissolving its recipient nature in a game of proposals and counterproposals suggested by this element, the “ballot box.”
Davis Museum Barcelona enjoys the neutrality of the ready made object and its qualitative leap beyond Dualism and Symbolism. It creates a new space, a museum with a collection and visitors, whose central component is the presence of nonstop action. Therefore Davis Museum acts as a new device for experimentation, a place where the visitor enters and donated works of art are exhibited, creating a game of feedback; a collective action that uses all available resources, physical and virtual.
The exhibition of Davis Museum Barcelona at LACDA (Los Angeles Center for Digital Art) is an unprecedented opportunity to discover a collection of the works of fourteen international artists including María Cañas, Chen Ping, PSJM; a chance to experience up-close this process that adds a new dimension to the notion of format. A mini-museum that gobbles up past and contemporary proposals and begins a new movement by assuming these sources and absorbing them, escaping the tempting dialectic of art history by allowing the potential of a transparent ballot box let new intuitions be born.
Irene Pomar,
Paris, July 2009
Digital Art.LA Participants Include:
UCR | California Museum of Photography · Laznia Centre for Contemporary Art (Danzig, Poland) · Davis Museum (Barcelona) · Downtown Film Festival - Los Angeles · Downtown Art Walk Los Angeles · Grammy Museum · Rowan Gallery · Julie Rico Gallery · Niche.LA Video Art · Deborah Martin Gallery · Phyllis Stein Gallery · Pharmaka Gallery · Todd Browning Gallery· El Nopal Press Gallery · Annex Gallery · Artillery Magazine · Coagula Art Journal · Citizen L.A. · AbsoluteArts.com · compactspace · Phyllis Stein Art · Edgar Varela Fine Arts · Rita Gonzalez, LACMA
Davis Museum's Artists:
Hadeel A. Dhaher, Debora Alana, Mauro Alberti, Phylis Alter, María Cañas, Alicia Cayuela, Malules Fernández, Simone Gad, Davis Lisboa, Colleen Mulligan, Gê Orthof, Chen Ping, PSJM and Alfonso Siracusa.
http://www.davismuseum.com
http://www.davislisboa.com
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